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This extraordinary 1962 session was the realization of a promise made thirty years earlier between the maestro, Duke Ellington, and the father of the tenor saxophone, Coleman Hawkins, that they would some day make a record together. Released a mere two months ahead of the largely iconic Ellington-Coltrane meeting, the earlier date is distinguished by the creative energies and commitment both men bring to the proceedings, with Ellington producing a scaled-down version of one of his best bands and Hawkins playing like his characteristically authoritative self while becoming an integral member of the ensemble (in effect, he replaces tenor saxophonist Paul Gonsalves)...
Source: allaboutjazz
Author: Samuel Chell












